Showing posts with label Ignatian. Show all posts
Showing posts with label Ignatian. Show all posts

Wednesday, December 2, 2009

Ignatian Accompaniment Through Grief

I've had a lot of time in the past fifteen months to reflect on what it means to accompany someone through terrible loss ~ what it means in general, what it means for me as a devastated mother, what it means for me as a spiritual director, as a would-be pastor or hospital or hospice chaplain. What is good and helpful and considerate? What is not?

This post, I do believe, is going to turn into a paean to Ignatian spirituality and to those whose lives it shapes, whether Jesuits or others who do spiritual direction in the Ignatian tradition. In my case, it means two Jesuits in particular: my former director, who had the temerity to move away after helping me for two years, but has remained one of my great supporters through seminary and has been a source of wisdom and challenge via email and occasional visits during this past awful year, and my current director, who thought two-and-one-half years ago that he was signing on for a monthly hour of support and guidance for a seminary student, and had to turn into a consistent and faithful source of compassion, prayer, presence ~ and, yes, wisdom and challenge, too ~ during a year of such harsh and time-consuming need that I cannot even begin to describe it.

(And that description doesn't even take into account the many others in my life who have brought their Ignatian experience to bear upon our conversations and friendships. Maybe some other posts someday.)

What is so distinctive about this spirituality that makes it so pertinent to accompanying someone through the journey of grief?

In the Spiritual Exercises, Ignatius suggests a wide variety of types and forms of prayer. Some lend themselves more to certain situations or meditations than others, but I've never had a director suggest that I should limit my prayer in one way or another. Flexibility ("accomodation" is Ignatius' term) is key, and I have been graced by finding directors who are fearless in their willingness to venture into unfamilar territory.

Given the range of prayer in the Exercises, it is nontheless the case that imagination is a significant hallmark of the Ignatian understanding of encounter with God. When a person makes the formal Exercises, there are many opportunites to pray, or meditate (Ignatius usually uses the term contemplation here ~ not to be confused with the emptying form of prayer so popular in contemplative prayer practice today) imaginatively throught the life of Jesus. Imagine the place, imagine the sights and sounds, imagine yourself as a person among his followers or family, on the edge or in the midst of his circle. Imagine yourself watching, listening, speaking, participating. Who are you? Who might you be called to be? Imagine Jesus into the circustances of your own life. What does he say; how do you respond?

You might be able to guess where I am going here. If you're a regular reader, you know that I have often bemoaned the statement so frequently made to me after our son died: that "I can't imagine" sentence. In fact, its repetition by a few individuals has resulted in my consistent avoidance of them. (The Lovely Daughter tells me that people are trying, and that I could be more generous, but I have my own problems with imagination ~ I find it difficult to imagine either that they are or that I could.) As a statement of intended solace, "I can't imagine" is not as bad as "I know just how you feel" ~ but it's close.

This past week it suddenly dawned on me why my Jesuit and other Ignatian friends have been such a source of help to me. Steeped in the practice of imaginative prayer, it never occurs to them to say, "I can't imagine." They seem to slide into imaginative accompaniment effortlessly. They don't have to be parents or to have suffered this degree of loss or faced this kind of horror; they can imagine it, at least well enough.

It's not effortless, of course; even as a neophyte director, I know that it takes considerable intentionality and attentiveness to imagine yourself into someone else's life and concerns. It also takes great generosity of spirit: as you share the Scriptural and prayer lives of others, you begin to understand how differently we all respond to, understand, and encounter God. You seek, always, to reverence both the other person's experience and your own; to absorb the similarities and the differences, to recognize that God is reaching out to each of you, and and to know that you can listen contemplatively and imaginatively even if what you are hearing is nothing at all like what you yourself would have come up with. It's not effortless at all.

But there it is. Just as even I, with some considerable practice, can access the notes to a simple Bach composition on the piano and with them, an entire tradition of music, so someone practiced in imaginative interaction with Scripture can access a tradition of prayer that makes it possible to walk with someone through the universal and yet endlessly unique pathway through grief.

I don't think I've ever heard someone well versed in Ignatian practice say, "I can't imagine." I know that these are people whose imaginations are at work all day, who are accustomed to drawing on their interior resources in all circumstances, and to allowing them to expand whenever they seem inadequate to a particular situation. God's gift of imagination is how we find God in all things, even ~ somewhere, someday ~ in this wilderness of sorrow.

Monday, October 26, 2009

Year Two: Art, Prayer, (Hope), Now What?

A lot of people, people who would know because they are mothers who have lost children, have told me that the second year is the worst. You get through all the anniversaries ~ which for us started with Mother's Day and continued all summer long with the usual holidays plus all five of our birthdays and then the anniversary day ~ and then what? No resolution; it all just starts again and lies endlessly ahead.

At first that seemed to be the case. September was wide open, no end in sight, and some awful and unbloggable things happened. Twice in as many weeks it seemed clear that I would have to drop out of seminary. Most of the time I felt that the key to my survival was that I simply didn't believe in what had happened. As long as it wasn't true, I could put one foot in front of the other.

Now ~ maybe just today, maybe just a few days ~ a little different.

I think it's art.

I started but never finished a post a week or two ago about how I was starting to turn to art in prayer. A bit of an ironic move for a girl who is pursuing ordained ministry in a tradition in which words predominate, for someone who processes almost everything by writing (two or three blogs, stacks of spiritual journals), for someone who has barely picked up even her pocket digital camera in months (although some fall color photos are probably coming soon).

But I had been thinking about how much I longed to go back to Mount Angel Abbey to pray. And wishing there were someplace around here where I could find some icons. And starting to imagine that digital SLR I've been dreaming of for years.

Then, a few days ago, I received a beautiful little package from a blogging friend, which included little icon cards, including Julian with her apocryphal cat, and Brigid, whom I think of as one of my peeps. As I told my friend in thanks, I didn't need to find a store; I just needed to wait for the mail.

And now, this morning, a new (to me, anyway) Annunciation, a link to a whole series of paintings on the themes of The Spiritual Exercises, and a link to an online store with other amazing art, at which I've only just had a look.

When I was on Iona a couple of summers ago, I thought vaguely about organizing some of the photos I was taking around The Exercises. I am probably not together enough to do that yet, but I might be able at least to to think about it again. Right after Josh died ~ and by "right after" I mean, literally, a week or two ~ an artist friend invited me to a show and talk by a photographer who has done magnificent black-and-white work, much of it out of an undisclosed terrible loss in her own life. At the time, I found myself unable to fathom going out in public to a lecture and show, and I've forgotten her name, but maybe it's time to look her up again.

In fact, while I was trying to decide whether to return to seminary, it seemed to me that the only other two realistic options were (1) never to leave my bed, or at least my house, again and (2) immerse myself in photography. I'm not exactly sure how or why school won out; perhaps because I was so well adapted to verbal expression that I thought it was something I might be able to do again, while the idea of trying to make meaningful images was completely overwhelming.

Recently, though, with the end of my seminary career looming ahead and the knowledge that there will probably be a lag of several months between ordination and a call to ~ to WHAT? another dilemma . . . ~ I have been thinking that there is a window for photography in there.

Well, I quite like Robert Gilroy's Annunication ~ not surprising for someone who so likes Henry Ossawa Tanner's painting on the same subject, a painting which has made several appearances in my blogs. But the one I'm really taken with this morning is called Sorrowful Woman, Figures in Flames and The Light of Truth, from Week One of the Exercises.

I don't pretend to understand it much, but one needs to contemplate a work of art over a long period of time. For starters, I would throw out phrases like: Week One (of the Exercises) ~ a time of immersing oneself in God's good creation, in our own brokenness, and in our need for healing and reconciliation. Year Two (of my new life) ~ perhaps a time of some little healing and reconciliation of a terrible, terrible brokenness and of finding a jagged and rocky path back to God's good creation. Flames ~ destruction and terror, light and truth.

For me, it's a good painting to pray with. Maybe on the other side of those flames, in that yellow life, is a future.


Thursday, July 30, 2009

Retreat After Devastation



A typical Ignatian-style retreat is made in silence, and includes a daily conversation with a spiritual director who listens to what you have to say, makes a few comments or asks a few questions designed to help you deepen your experience of prayer during the week, and then suggests some material for you to pray with over the course of the next 24 hours.

Your director might suggest just about anything ~ art, music, poetry, other reading, pretty much any kind of prayer or contemplation at all ~ but the hallmark Ignatian form of prayer involves imaginative interaction with Scripture.

Last year I met with my director late in the morning and we agreed to meet again before supper, since we were just getting started and only had five days. He suggested a few passages of Scripture for me, passages which I'm sure he uses all the time to help someone start a retreat.

When I returned late that afternoon and described my day, he asked, "Why do you think it is that no matter what text you encounter, everything that emerges is about Famous Giant Hospital (where I had just completed the summer chaplaincy program)?"

I looked at him and said, surprised by my discovery, "Because I have been completely traumatized by my summer there."

We talked a bit more and he suggested some more readings, but told me to lay off until the next day. "This has been a little intense," he said "Take a complete break tonight."

Our son died during the night, and I found out the next afternoon and went home that evening.

Words like trauma and intense hardly describe the subsequent eleven months.

And so day after tomorrow I am off for another weeklong retreat. Not to last year's place ~ I can't imagine ever returning there ~ but to Guelph, where I went two years ago.

"What do you desire from this week?" Always one of the first questions.

I have no idea.